Ray Bradbury’s Fahrenheit 451 Misinterpreted Essay

Reading Fahrenheit(postnominal)(postnominal) 451 one butt joint only wonder on clean nave, but nevertheless marvelous prophecy of the dark future to come, brought on us by Ray Bradbury. very much seen as a work of manufacture or anti-utopia, in fact this is scarcely a social horror story, if much(prenominal) a genre gouge be invented for its description.The technologies visualized in Fahrenheit ar rather primitive comp ard to modern times. Sure, Bradbury had extrapolated the TV screens of 50s and predicted the invention of elephantine TV walls, with presence effect that allows the mantrap to emotional state himself in the center of action. Bradbury had uttered the awes that TV means death of media of a previous generation, being the books. But, as McLuhan stated, the technologies of then(prenominal) ages dont die so easily, The dominant technologies of one age work the games and pastimes of a later age (McLuhan, p99).As fears that cinema would mean the death of domai n had proven themselves to be incorrect, thus a larger-scale fear that TV means the destination of books had proved itself to be false too. On the other hand, Bradbury hadnt predicted the invention of a new media which would outscore the TV as much as TV outscores the books the Internet. The TV had no chance to progress into totally-enveloping media realism depicted in the book, losing the race to more(prenominal) modern media.While Bradburys applied science prediction hadnt been correct, his social predictions had proved to be uncannily true, if somewhat optimistic. The all- adult male media chopineing is here(predicate), broadcasted by orbiting satellites, turns the globe into a repertoire theater to be programmed (McLuhan, p9). And the news brought to us by every source from TV to Internet and hitherto to Radio be apt to be manipulated simultaneously, as was shown brightly in Wag the Dog. The censoring depicted by Bradbury isnt here instead, we have a total media re porting that produces fake events undistinguishable from real. People do non need to follow operating instructions told to them on TV instead, we follow the views and ideas presented to us daily. The Electric Dog doesnt undulate the streets the society is our Electric Dog that doesnt kill nonconformists in real grit but effectively blocks them from us.What brings redemption and hope in Bradburys world after the holocaust are countersign words. It doesnt mean that he relies on religion to carry us by the new Dark Ages rather, he tells us about our inner faith, which isnt uttered but felt and understood. But as no holocaust had happened yet, only those who authentically feels in need seek salvation, others are content with what theyve got.Bradburys views on giving medication in Fahrenheit border with absolved accusations of fascism, the burning of books being the more or less plain historical reference. But fascism in US had became such a popular stir since the end of WW II that we dont fear it as much anymore. After all, if organization would ever decide to apply a stricter views to economics like Roosevelts new(a) Deal in 30s, (which is instead possible now because of economics crisis), most voices would be raised in its demur rather than in its critics. People feel the government to be controlled by them, not the other way round.In Fahrenheit society education of youth program them to see their world as unquestionably right, defies critical thinking and praises the conformity instead. This is not only an exaggerated, but also a distorted picture of modern education, depicted just to scare us even more, to create a sense of throw out isolation of Guy Montag from the world. Bradbury doesnt legislate much attention to the youth this is sensible, for what he longs for is the past.Fahrenheits ending can be seen as a zest for Golden Age, the times that never were real but always in our eyes seem to be brighter than today. It is a hymn to nostal gia. But one cannot scan his past too long he must consider the future. We should look earlier and be brave, no matter what dangers are waiting for us there.Works CitedBradbury, Ray. Fahrenheit 451. Published by Del Rey Books, Random residence Publishing Group, 1953, renewed 1981.McLuhan, Marshall, From Clich to Archetype, Published by Viking Adult, 1970.Wag the Dog, by Barry Levinson, 1997 (the movie).