War Is Unpredictable

To an extent fight is unpredictable, however the meaningless penalisation and demoralising conduct is something that soldiers experience constantly throughout contendfare. In Owens poem hymn for Doomed Youth he diminishes the patriotism and valiance that is commonly associated with war and replaces it with depictions of the bitter penalty and perfidious death of young person in war. Correspondingly in his poem Dulce et Decorum Est he extends the authorship of unpatriotic behaviour and hollow death and suggests that war is also a insanely and extraordinary(p) practice, where nothing but death and hatred arise.Contrastingly, in Stanley Kubricks war hire Full Metal Jacket he does not look at death in war, but conversely the internal penalisation that superior officers give to soldiers, harshly exploring the fostering and punishment soldiers receive before war. Ultimately, these three texts explore the lack of honour and chaffy punishment that soldiers experience constantl y in war, depicting war as a place of hatred and sin. In Owens poem Anthem he removes the common amatory concepts of aureole and triumph that were associated with war from the primal 20th century and realistically explores the truly unpatriotic nature of the battlefield.His ideals contrasted the Romantic ideals of glory as well as the government and the media who exhibited war as valiant and fitting for the spring chicken of the early 20th century. Instantly, Owens prenomen of the poem contradicts the readers belief in the common war values where he pairs the terms Anthem and Doomed Youth juxtaposing with a gloomy and depressing description of the offspring in war. Owen then compares the youth who died as cattle to an abattoir by using metaphor, emphasising the sheer enumerate of death that occurs on the battlefield, also suggesting that the youth are indiscriminately dying with no justification.Likewise, Owen uses juxtaposition to describe the fits of war, in which he subv erts the calming sound of choirs and depicts them as demented, illuminating the sound of screaming comrades in war and enhancing his anti- high-flown view. Thus, Owen through his poem Anthem dishonours the common concepts of glory and triumph, and replaces them with mockeries of the dying youth in war, ultimately suggesting war unheroic and the soldiers deaths unglorified. On the contrary, Stanley Kubricks war film FMJ explores the internal and meaningless punishment that soldiers experience whilst training to become a soldier, aggressively depicting the raining as harsh and suicidal. Directed in 1979, Steven Kubricks position on war was neither affirmative nor ostracise and simply stated he was concerned with the way things are, olibanum forcefully depicting the disciplinary discrepancies of the Americans in Vietnam. The opening montage of the tv camera focused on the soldiers heads being shaved depicts the bloodless expressionless faces of the soldiers and shows the identity lo ss of the soldiers in war, illustrating their inconsequential individuality.Kubrick uses harsh and straightforward dialogue to stress how even though war is fair everyone fighting(a) is equally worthless, again punishing the soldiers for their racial background and individuality. Likewise, in the final scene of the introductory sequence before the war, Kubrick displays the suicidal locution of the meaningless punishment, where Private Pile explains that even though there is war going on in Vietnam, he is in a founding of shit after the punishment from the senior officers. This harsh portrayal of pre-war training explains Kubricks view that internally war can be as detrimental as it is on the battlefield.Correspondingly, Owen aims to eradicate all romantic feelings in Dulce et Decorum Est and instead represent war as a unhallowed and devilish practice. The ironic titling of the poem initially subverts any sense of patriotism and glory associated with war, and condemns the romant icised portrayals of war that the government and the media have created. By deliberately subverting the heroic Latin phrase through the bleak ideas in his poem, Owen depicts the title as an old lie where he suggests that glorification and bravery in war is undermined by the fallacies of the government and the media.In addition, his use of metaphor in the rootage stanza exemplifies the mechanised and fatigued state of the soldiers in war, where the soldiers marched asleep from the endless punishment and futility of war. Owen indicates here exactly how lame the soldiers were with the pain and suffering of war, illuminating the punishment and empty nationalism he attempts to portray. Further much, the graphic imagery of the sinfulness and devilish nature of war used in the third stanza highlights the devilish and sinful representation, by comparing a comrade to a devil tramp of sin.Owen here evaluates war as a whole, as a place where even the devil can no longer comprehend the horri d pain and meaningless suffering. This powerful imagery removes the Romantic ideals of patriotism substituting them with a morbid depiction of choking with sin. Thus, Owen eradicates the glory and valiancy that had been associated with war literature in the 20th Century and indicts war as a fallacy to children who are desperate for honour. Ultimately, Owen aims to challenge all feelings of glory and heroism that are commonly associated with war and shift these concepts to a historical fallacy where sinful and devilish behaviour arises.Alternately, Kubrick strives to explore both the harsh and unforgiving nature of the battlefield and the meaningless punishment experienced internally in the U. S Marine Corps, where even the pre-war training results in the suicide of a soldier. Each text explains the horror and meaningless punishment as a constant and predictable outcome, as wells as the appall and sinful behaviour that soldiers experience, however Owens poem Dulce et Decorum Est more effectively depicts the unpredictability of war by emphasising how disgusting war is, promoting it as foreign to any kind of valour and partisanship.